قهوه خونه ایرانی دهه 50

STRICT SCENE LOCK — DO NOT CHANGE THE COMPOSITION

Use the exact same composition, camera position, furniture layout, subject placement, object placement, wall decorations, and framing in every generation.

Traditional Iranian teahouse (ghahveh-khaneh), late 1960s–1970s Iran. Small wooden table centered in front of the camera. Subject seated directly behind the table, centered in frame. Camera at eye level, straight-on view, medium portrait shot, no tilt, no side angle, no Dutch angle, no high angle, no low angle. Fixed focal length equivalent to 50mm on full-frame camera.

The subject occupies approximately the same space as a classic studio portrait. Head positioned slightly below the wall clock. Table remains fully visible in the foreground. Subject remains perfectly centered.

The wall behind the subject must remain identical in structure: lower half covered with aged white square ceramic tiles, upper half covered with worn cream-yellow plaster. No mirrors anywhere in the scene.

One wooden pendulum wall clock mounted above and slightly left of the subject. Traditional Iranian coffeehouse paintings in antique wooden frames mounted on the wall. Paintings depict classic Persian coffeehouse art scenes. Keep the number, size, placement and geometry of the paintings fixed between generations.

The wooden table remains directly in front of the subject. A black classic fedora hat rests on the left-front corner of the table (viewer perspective). One traditional Iranian tea glass filled with dark tea on a decorative saucer rests on the right-front side of the table. Object positions must never change.

A traditional hookah is placed on the floor directly beneath the table, centered between the subject's legs. Dark wooden stem, metal tray, clear glass water base. Thick woven fabric hose with traditional geometric patterns laying naturally across the floor. Long wooden mouthpiece visible near the floor. Hookah remains below table level and never appears on top of the table.

SUBJECT POSE LOCK:

Subject sits upright but slightly leaning forward. Both elbows rest on the tabletop. Both hands hold a traditional tasbih (prayer beads) in front of the chest. The tasbih hangs naturally between the hands. Direct eye contact with the camera. Serious, confident expression. Closed mouth. No smile.

Black suit jacket draped over both shoulders without arms inside the sleeves, traditional luti-inspired styling. White open-collar shirt with natural fabric wrinkles. Black trousers.

RIGHT HAND RING:

Large traditional Shajar agate ring worn on the right hand. Oval cream-white semi-translucent agate stone with natural tree-like black and dark green inclusions inside the stone. Silver ring setting. Clearly visible but natural.

REFERENCE FACE PRIORITY:

Use the uploaded reference face as the only source of facial appearance. Preserve facial identity, facial proportions, eyes, nose, lips, jawline, ears, skin texture, expression, age and all unique facial characteristics. Do not add beard, mustache, stubble, facial hair, wrinkles, scars, or any facial feature not present in the reference image.

VINTAGE PHOTOGRAPHIC LOOK:

Authentic late-1960s to 1970s Iranian photograph aesthetic. Heavy analog film grain, visible photographic noise, subtle dust particles, slight print wear, faded colors, mild sepia tint, soft contrast, slightly desaturated tones, archival print appearance, documentary realism. No modern retouching, no glossy skin, no HDR, no digital sharpness, no AI-generated look.

Negative prompt: mirror, modern cafe, modern furniture, different pose, crossed arms, standing pose, smiling, beard, mustache, stubble, sunglasses, modern clothing, different camera angle, side view, high angle, low angle, object repositioning, missing tasbih, missing hookah, missing fedora, modern wall art, colorful walls, HDR, clean digital look, plastic skin, cinematic lighting, neon lighting.