پرامپت داستانی

Create exactly one seamless mixed-media artwork from the uploaded photograph, combining realistic photography in the upper region with an original illustrated story on warm ivory paper below.

1. PHOTOGRAPHIC REGION

Preserve the original subjects, facial identities, apparent ages, poses, expressions, important objects, colors, patterns, materials, natural lighting, photographic detail, and depth. Do not repaint, cartoonize, replace faces, or apply paper texture to the photographic region. Subjects or objects may cross into the lower region while retaining their realistic photographic appearance. Keep important faces and interactions unobstructed.

2. ONE CONNECTING IDEA

Identify the strongest visual anchor in the actual photograph (object, shape, contour, pattern, material, gesture, or movement). Build one original imaginative story around it. Create an obvious physical and visual connection across the transition through matching shapes, aligned contours, extensions, attachments, contact points, supports, or movement paths. The illustrated story must actively use the source-derived element, not merely share its colors or place characters nearby. Choose an idea specific to the photograph; avoid automatically using slides, balloons, ladders, or playgrounds.

3. ORIGINAL ILLUSTRATED STORY

Invent a new, coherent scene below the photograph rather than simply reproducing the original scene as a cartoon. Add small hand-drawn characters, animals, structures, props, and activities only when they support the central idea. Focus on one understandable event, keeping secondary details minimal. Illustrated counterparts may have new poses, scales, and activities while retaining recognizable visual cues where useful.

4. ILLUSTRATION STYLE

Use warm, lightly textured ivory paper with informal fine black lines, slightly wavy contours, occasional broken strokes, sparse hatching, and expressive marks. Give small characters simple facial features, readable gestures, and a charming storybook appearance. Use selective colored-pencil or wax-crayon accents inspired by the photograph, with visible strokes, uneven coverage, and exposed paper. Leave generous open space and concentrate detail around the main activity. Avoid dense backgrounds, smooth vector fills, glossy digital effects, and photorealistic rendering in the illustrated area.

A few photographic elements may extend into the lower region only when they directly participate in the story and have clear physical interaction with the illustrated world.

5. TRANSITION & COMPOSITION

Use a portrait 3:4 canvas by default. Let photography occupy approximately the upper half, adjusting as needed to protect important subjects and accommodate the connecting idea. Join both regions directly without frames, white gutters, or broad fading gradients. The boundary may be straight, irregular, or shaped around the subject. Continue selected photographic contours, objects, patterns, or movements naturally into the illustrated area. Minor cropping or scaling of secondary surroundings is allowed, but preserve all essential content. The result must be one continuous artwork, never separate panels or a duplicated cartoon version of the photograph.

6. HANDWRITTEN SENTENCE

Add exactly one original, short English sentence (usually 4–10 words) in relaxed, legible black handwriting within open paper space. Make it playful and naturally connected to the invented story. Do not imply real personal history or relationships. Keep it away from faces, important objects, and the central connection. Add no title, watermark, signature, or extra captions.

FINAL PRIORITIES

Preserve photographic authenticity, create a clear source-derived connection, and tell one coherent original visual story. Prioritize natural integration and composition over an exact 50/50 division. Output exactly one finished mixed-media artwork.